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Video Editing Services

Most US brands do not have a video problem, they have a volume problem: enough raw footage for a quarter of content, and no reliable way to turn it into fifty finished cuts.

We edit for output. A single filmed session becomes a long-form piece plus a set of vertical cuts for Reels, TikTok and Shorts, each cut for its own platform rather than the same export resized — different pacing, different hook, correct safe areas, captions burned in because the majority of social video is watched without sound. Ad creative gets built in variations so paid campaigns have something meaningful to test rather than one video and a hope.

The rest is craft and consistency: pacing that holds attention past the first three seconds, color and audio cleanup, motion graphics and lower thirds in your brand system, licensed music with the license documented, and accurate captions. Turnaround is what usually decides whether a video program survives contact with a real marketing calendar, so we work to agreed delivery windows and take footage in whatever state it arrives — including phone footage, which for social frequently outperforms the polished version.

what's included

What's included in Video Editing Services

process

How Video Editing Services work

Step 1: Understand the job

Who the page is for, what it has to make them do, and what the current design costs you in lost conversions.

Step 2: Structure first

Wireframes and content hierarchy before any visual polish, so the layout earns its keep on its own.

Step 3: Design the system

Type scale, color, spacing and components — a kit your developers can build from, not a flat picture.

Step 4: Hand off & support

Source files, exported assets and a spec. We stay available through build so nothing is guessed at.

faq

Video Editing Services FAQ

Do you film as well as edit?

Editing is our core service. For filming we coordinate with production partners in the relevant US market, or we help you set up a repeatable self-filming approach — which for social content is often better anyway, because it produces far more volume at far lower cost.

How many cuts can you get from one filming session?

A well-planned two-hour session typically yields one long-form piece and fifteen to thirty short-form cuts. The number depends far more on how the session was planned than on how long it ran, so we prefer to be involved before you film.

What's the turnaround?

Two to four working days for short-form cuts, five to seven for long-form with motion graphics. Retainer clients get agreed delivery windows, which matters more than raw speed when you are publishing to a fixed calendar.

Do you handle music licensing?

Yes, from licensed libraries, with the license documented and handed over. We do not use tracks whose licensing cannot be evidenced — a copyright claim on an ad campaign mid-flight is an expensive way to save a subscription fee.

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